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Daniel Duford

3144 NE Seventh Avenue
Portland, Oregon 97212
503.740.6109

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Daniel Duford

  • ABOUT
  • News
  • The Whole Live Animal
  • The Ground Beneath Us
  • ARTWORK & PROJECTS
    • American Underland (2024)
    • Meet Me in a Year and a Day
    • The Way West
    • John Brown's Vision on the Scaffold
    • Mourner Trees
    • Revolution Assembly Hall Murals
    • Floodplain Stories
    • The Traveler & the Housewife
    • Ringing the Temple Bell
    • The Unfortunates
    • Suppers
    • white box show
    • The Naked Boy
    • Sleeping Giant
    • Green Man of Portland
  • PUBLICATIONS
  • Contact
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Revolution Assembly Hall Murals (2018)

 These paintings were made specifically for Revolution Hall, once Washington High School and now a space full of music, design and food. The two journeys depicted in the murals are a national and continental transmission of ideas and stories. The first sequence takes into account the history of the entire continent. Stories and songs are revolutionary in that they are the food of a living culture. The stories we are taught in American schools leave out so many voices and histories that it stunts the health of the culture. The figures represented in these murals barely scratch the surface. Behind each image in the murals is a multiplicity of other stories and voices.

The second sequence is much more intimate and local. This region is fed (both literally and metaphorically) by the Columbia River. In these pictures I’ve allowed one or two people to be dwarfed by the immensity of the landscape.

In all the panels, The She Wolf walks through as a protector and a witness. She is the matriarchal protector of the wild. All of these stories are in each of us. They seep in the ground. They sit in this building. These stories are songs reverberating in these halls.

Here’s a video for the upcoming celebration in December 2018.

Revolution Assembly Hall Murals (2018)

 These paintings were made specifically for Revolution Hall, once Washington High School and now a space full of music, design and food. The two journeys depicted in the murals are a national and continental transmission of ideas and stories. The first sequence takes into account the history of the entire continent. Stories and songs are revolutionary in that they are the food of a living culture. The stories we are taught in American schools leave out so many voices and histories that it stunts the health of the culture. The figures represented in these murals barely scratch the surface. Behind each image in the murals is a multiplicity of other stories and voices.

The second sequence is much more intimate and local. This region is fed (both literally and metaphorically) by the Columbia River. In these pictures I’ve allowed one or two people to be dwarfed by the immensity of the landscape.

In all the panels, The She Wolf walks through as a protector and a witness. She is the matriarchal protector of the wild. All of these stories are in each of us. They seep in the ground. They sit in this building. These stories are songs reverberating in these halls.

Here’s a video for the upcoming celebration in December 2018.

Emergence, 2018, 40 inches by 96 inches, acrylic on wood panel

Emergence, 2018, 40 inches by 96 inches, acrylic on wood panel

Trade Routes, 2018, 40 inches by 96 inches, acrylic on wood panel

Trade Routes, 2018, 40 inches by 96 inches, acrylic on wood panel

Contact, 2018, 40 inches by 96 inches, acrylic on wood panel

Contact, 2018, 40 inches by 96 inches, acrylic on wood panel

Resistance, 2018, 40 inches by 96 inches, acrylic on wood panel

Resistance, 2018, 40 inches by 96 inches, acrylic on wood panel

Transmissions, 2018, 40 inches by 96 inches, acrylic on wood panel

Transmissions, 2018, 40 inches by 96 inches, acrylic on wood panel

Banner, 2018, 40 inches by 96 inches, acrylic on wood panel

Banner, 2018, 40 inches by 96 inches, acrylic on wood panel

Celilo Falls, 2018, 40 inches by 96 inches, acrylic on wood panel

Celilo Falls, 2018, 40 inches by 96 inches, acrylic on wood panel

Grain Silos on the Willamette, 2018, 40 inches by 96 inches, acrylic on wood panel

Grain Silos on the Willamette, 2018, 40 inches by 96 inches, acrylic on wood panel

Mushroom Hunters, 2018, 40 inches by 96 inches, acrylic on wood panel

Mushroom Hunters, 2018, 40 inches by 96 inches, acrylic on wood panel

Cape Disappointment, 2018, 40 inches by 96 inches, acrylic on wood panel

Cape Disappointment, 2018, 40 inches by 96 inches, acrylic on wood panel

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Sleeping Giant
Submersion
Submersion
about 11 years ago